Theater critic John Lahr discusses his two most recent books, “Joy Ride,” which includes criticism and profiles from his years with the New Yorker magazine, and his recent biography of Tennessee Williams, along with his notions about criticism, reviewing, movies vs. theater, and most relevantly, political theater.

“She Loves Me,” the classic 1963 musical with book by Joe Masteroff, music and lyrics by Sheldon Harnick and Jerry Bock, directed by Susi Damilano, now at San Francisco Playhouse through January 14, 2017. Reviewed by KPFA Chief Theater Critic Richard Wolinsky

Support Those Facing Charges Here *Note: This podcast was recorded right after Sophia Wilansky was attacked by the police and it is falsely stated in the recording that her arm was going to be amputated. Despite this claim, after many extensive surgeries the arm was in fact saved. We apologize for any misinformation, but at … Continued

As tens of thousands took to the streets following the election of Donald Trump, conflicts quickly broke out between demonstrators that carried out confrontational and disruptive tactics and those who wanted things to ‘return to normal.‘ Often, these “peace police” carried with them the same logic as held by the State and police forces so … Continued

Arthur Laurents (1917-2011), interviewed on April 7, 2000 by Richard Wolinsky and Richard A. Lupoff, during the tour for his memoir, Original Story By … Arthur Laurents was one of the giants of American culture. A playwright, librettist and director, he was one of the collaborators on two of the greatest musicals in the history of Broadway, West Side Story and Gypsy. In Hollywood, he was best known for the screenplays to The Way We Were and The Turning Point.