Cover to Cover with Jack Foley

Cover to Cover with Jack Foley & Nina Serrano- August 7, 2019

THE NINA-JACK SHOW

 

“I am afraid we are not rid of God because we still have faith in grammar.”

—Friedrich Nietzsche

 

Fearlessly facing nouns and participles, recklessly splitting infinitives, in come Nina Serrano and Jack Foley, KPFA’s interwoven pair. Today’s show will feature the usual mixture of wit, brouhaha, political awareness, music and daring do. A special aspect with be the recitation of Jack’s piece, “Noir” by the author and Sangye Land. Jack writes, “I’ve thought about Noir for years, grew up with its voices and images in my head. It was in a way the primary world-view of my childhood—the post-war world of the forties. What did all that mean? These days people think of Noir as strictly a phenomenon of film—‘film noir’ is a phrase invented by French critic Nino Frank in 1946—but Frank lived in France and didn’t fully understand how all-pervasive the notion of Noir was in the US: one found it prominently featured, along with film, in radio drama and even in comic books—both factors of my childhood. ‘Voiceover’ in so many Noir films is a conscious recollection of Noir on the radio. The audiences of the films had heard such voices in such stories on their favorite radio shows: Broadway’s My BeatThe Adventures Of Sam SpadeBox 13. Gunsmoke on the radio was a Noir Western. World-weariness, loneliness, paranoia were evident in the voices of the heroes of these stories—all of them post war but with the war haunting the consciousness of the people who lived through it. This piece was written as a libretto to be set to music by my friend Tony Perez.”

 

Here is a poem by Nina:

 

TEXTILE

(For textile artist, Elizabeth Serrano)

 

Bring your spinning wheel along

and we’ll make yarn while we chat

tell stories made of whole cloth

woven of ancient tales from families

cradling sorrows and pain

folded into creases and stitched tight

to hold fast the millenniums we birth

Blood oozing stains our thighs

that we open close and lift to move through life

Keeping us on the go

under over around and around

Patterns evolving as we mix colors to dye threads

tying our dreams to our actions

and the reactions they evoke

It makes a chain through the bloodline

knotting links connecting one to another

Fabrics blown in the breeze

the flag of the mind

fancifying words to dress up language

Glamorizing the charm of a ribbon that captures the heart

Unfurling uncurling

Inching along unmeasured yet growing

An evolution of consciousness cuddling with warm breath

Heating soft skin through the coldest night

The tale of survival persists

struggling through bouts of laughter and floods of tears

One ply, two ply, then five

Knitting the balls so we can dress for the elements blowing us about

Bring your spinning wheel along

and we’ll make yarn while we chat

tell stories made of whole cloth

woven of ancient tales

Under over under over

Pass the shuttle along

This loom as vast as the universe

in its constant motion in this unfinished

never-ending saga

moving towards eternity

knowing no end

 

On August 9 Jack will turn 79. He writes,

 

7 KEYS TO JACK FOLEY 

  1. He is Irish.
  2. He is Italian.
  3. He is Irish and Italian.
  4. He is Irish and Italian and writes poetry.
  5. He is Irish and Italian and writes poetry and talks a lot.
  6. He is Irish and Italian and a Californian and writes poetry and talks a lot.
  1. He is Irish and Italian and a Californian and writes poetry and talks a lot and has wonderful friends who make him pictures and write him poems and wish him a happy birthday as he enters the hallowed halls of Antiquity with a leap and a bound and a tendency towards transgressive behavior. And what continent will you be in, Mr. Foley? I am likely to be in INcontinent. Heh. 79. Years flew. Still flying.

 

And from “Noir” (an excerpt):

 

NOIR

 

Means the labyrinth of the city

Means the labyrinth of the city

New York-San Francisco-Vienna-Berlin-LA

New York-San Francisco-Vienna-Berlin-LA

Noir

Noir

Is “post war”

Is “post war”

During the war

During the war

You had orders,

You had orders,

However insane

However insane

You had a structure

You had a structure

Called “command”

Called “command”

Now you are alone

Now you are alone

With no one to give you

With no one to give you

Orders

Orders

But the dangers of war

But the dangers of war

Are still with you

Are still with you

During the war

During the war

You had a sergeant

You had a sergeant

And a discernable enemy

And a discernable enemy

You could hate

You could hate

Now it is unclear, unclear

Now it is unclear, unclear, unclear

Who your friend is

Who your friend is

Who is your enemy

Who is your enemy

Now the war

Now the war

Seems to be within

Seems to be within

You don’t know

You don’t know

Betrayal is everywhere

Betrayal is everywhere

You associate

You associate

With the rich

With the rich

But you understand

But you understand

Their corruption

Their corruption

And you both want

And you both want

And don’t want

And don’t want           

Money

Money

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