| Víkingur Ólafsson |
Pour le piano, L. 95: II. Sarabande |
Reflections |
Deutsche Grammophon (DG) |
| Karine Georgian & Jeremy Young |
Cello Sonata in D Minor, Op. 40: III. Largo |
Shostakovich: Cello Sonata in D Minor, Op. 40 - Britten: Cello Sonata in C Major, Op. 65 & Cello Suite No. 3, Op. 87 |
SOMM Recordings |
| Ars Nova Copenhagen & Paul Hillier |
Un beau baiser |
First Drop |
Cantaloupe Music |
| François-Joël Thiollier |
Debussy: Arabesque #1 |
Debussy Piano Works, Volume 1 |
Naxos |
| Arie Van Beek, François Garraud, Marcel Cara & Orchestre de Picardie |
Variations sur un thème de Couperin |
Andriessen, Fauré, Ravel |
NoMadMusic |
| Gidon Kremer, Vienna Philharmonic & Christoph von Dohnányi |
Concerto For Violin And Orchestra: 2. = Ca. 108 |
DG 120 – Avant-garde |
Deutsche Grammophon (DG) |
| Arvo Pärt / Hungarian State Opera Orchestra, Tamás Benedek |
Cantus in Memory of Benjamin Britten |
Fratres • Festina Lente • Summa • Cantus In Memory Of Benjamin Britten |
Naxos |
| Glenn Gould |
Bach: 2-Part Invention #6 In E, BWV 777 |
Bach: Two & Three Part Inventions |
Columbia |
| The Gesualdo Six |
Byrd: Mass For 5 Voices - 2b. Domine Deus, Agnus Dei |
William Byrd - Mass for 5 Voices and Other Works |
Hyperion |
| Angela Hewitt |
Mozart: Piano Sonata In C Major, K.330 - 2. Andante Cantabile |
Mozart Piano Sonatas |
Hyperion |
| Ghost Train Orchestra & Kronos Quartet |
Speak of Heaven |
Songs & Symphoniques: The Music of Moondog |
Cantaloupe Music |
| Joni Mitchell |
Down to You (Early Alternate Take) [Court and Spark Sessions] |
Joni Mitchell Archives, Vol. 3: The Asylum Years (1972-1975) |
Rhino/Elektra |
| Balanescu Quartet |
String Quartet No. 2 |
Bryars: The Last Days, String Quartets Nos. 1 & 2 |
Decca Music Group Ltd. |
| Thomas Lobban |
Babe E. Chiya |
Too Early/Too Late |
Sinsimia Recordings |
| Trio Dichter / Fiona Mato / Hanna Salzenstein |
Piano Trio No. 2 in F Major, Op. 80: II. Mit innigem Ausdrück |
An Invitation at the Schummann's |
harmonia mundi |
| Mahan Esfahani; Alexander Liebreich: Prague Radio Symphony Orchestra |
Martinů: Concerto For Harpsichord & Small Orchestra, H. 246 - 2. Adagio |
Martinu, Krasa & Kalibis - Harpsichord Concertos |
Hyperion |
| Katherine Jenkinson |
Gregson: 1.1 Prelude |
Bach - The Cello Suites Recomposed by Peter Gregson |
Deutsche Grammophon |
| Ben Chappell |
Gregson: 1.2 Allemande |
Bach - The Cello Suites Recomposed by Peter Gregson |
Deutsche Grammophon |
| Katherine Jenkinson |
Gregson: 1.3 Courante |
Bach - The Cello Suites Recomposed by Peter Gregson |
Deutsche Grammophon |
| Deutsches Filmorchester Babelsberg, Robert Ziegler & Hila Karni |
Three Worlds, Music from Woolf Works: Mrs. Dalloway: War Anthem |
Three Worlds: Music from Woolf Works |
Deutsche Grammophon (DG) |
| Peter Gregson |
Cello Counterpoint: 1. Fast |
Reich: Cello Counterpoint - Single |
Deutsche Grammophon (DG) |
| Peter Gregson |
Cello Counterpoint: 2. Slow |
Reich: Cello Counterpoint - Single |
Deutsche Grammophon (DG) |
| Peter Gregson |
Cello Counterpoint: 3. Fast |
Reich: Cello Counterpoint - Single |
Deutsche Grammophon (DG) |
| Indrė Petrauskaitė |
Sonata in A Minor, K. 310/300d: II. Andante cantabile con espressione |
Mozart: Solo Piano Works |
AVIE Records |
| David Bowie |
Warszawa |
Low |
RCA |
| The Brooklyn Philharmonic Orchestra & Dennis Russell Davies |
Low Symphony (From The Music of David Bowie and Brian Eno): 1. Subterraneans |
100 Great Symphonies (Pt. 4) |
Deutsche Grammophon (DG) |
| Glenn Gould |
Bach: The Well-Tempered Clavier, Book 2 - Prelude #11 In F, BWV 880 |
Bach: The Well-Tempered Clavier, Book 2 |
Columbia |
| Quantic |
Not So Blue |
Apricot Morning |
BELIEVE - Tru Thoughts |
