10:00 PM Pacific Time: Fridays
Two hours of the strongest, stankiest, uncut funk anywhere on the airwaves, hosted by Rickey Vincent.
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Brains and art continue with the nature of hearing and how it works, brain fitness, comedy critics tackle nasty words, the demise of the CD, artist descriptions and comments on their work, noise and emotion in music, and Receptacle callers have their say. Then I sit in for Puzzling Evidence and talk to Dr. Hal … Continued
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this episode is no longer available
Where all art resides, our brains are the focus here and their relationship with stimulus like art. How the brain works, reality in the brain, the brain and vision, plus lots of so called music and so called noise to challenge your brain. 3 Hours.
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Genuine pirates host this five hour array of samplers, sampling, and copyright in music. Lots of music, new and old, from the history of sampling with a major focus on Hip Hop’s role, documentary clips on the practice, Negativland and others play with the U-2/Negativland copyright lawsuit, and Crosley Bendix discusses the Copyright Act.
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A wide ranging mix of found sound relating to what art might be, including cartoon cell collecting from The Howard Stern Show, interviews with painters and sculptors old and new, critics’ commentary, descriptions of works, audio art pieces, and heavy traffic on our receptacle phones. 3 Hours.
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After a welcoming song by Allen Ginsberg, we range through a Dada inspired collage of Dada poems and other more modern vocal sounds and noises. Then it’s audio art pieces with commentary by artists and critics, artist interviews, more music, more noise, and The Firesign Theatre brings us “Art Of The Insane.” 3 Hours.
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Adam Shaw and Don Adam joins me to mix this tribute to a single artist, The Weatherman. With fully explained, on-the-air technical difficulties, we hook up with The Weatherman in Washington state via his computer there, plus his own self live on our phone. We cover a whole lot of Weatherman works, early and late, … Continued
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this episode is no longer available
Rebellion and rebels in modern art is touched on throughout, as well as David Ossman’s fight with NPR over John Cage and his collage radio show in the 80’s, more interviews with artists, the art of fashion design, literary criticism, and The Firesign Theatre on the air. 3 Hours.
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Beginning with Mingus, some jazz talk, and “Certain Men” – a new Weatherman work mixed live, we move through an essay, “Radio Music,” by Jon Leidecker read by a computer, and various other art related talk and music. Lot’s of Receptacle callers. 3 Hours.
