Making Contact

Fighting Goliath (Part 2) Encore

The Canadian Tar Sands is the largest industrial project on earth. And the potential environmental consequences have brought together citizens from across borders, to fight its rippling effects. On this edition, the second of a two part special, on the growing resistance to the tarsands. Fighting Goliath produced by Barbara Bernstein. Featuring: Kevin Lewis, Idaho … Continued


We are conducting hybrid news reporter training remotely and in person. You can join the KPFA News Department as a volunteer or unpaid intern and help provide critical reporting. 

Your stories will air on the nightly Pacifica Evening News at 6 PM, which is also broadcast (in part) on KPFK Los Angeles, on KFCF in Fresno and other community radio stations. 


  • How to record audio interviews, press conferences and hearings remotely, from the station and at home using your computer.
  • How to write for broadcast.
  • How to produce finished reports from the station and your home in your own voice and submit them for broadcast electronically.  
  • How to do field reporting using techniques to keep you and the people you interview as safe as possible.


  • A working computer that you will use to download audio software, edit, record and write. 
  • An ability to do at least limited technical problem solving when things go wrong.
  • No previous journalism experience required, but you must be good writer. 


  • You should be available to work at least one weekday (or more) while training. Once trained, you can transfer to the weekend to report. We ask for a total commitment of six months. 

We accept applications on a rolling basis. To apply, click HERE to complete an application form, then email a writing sample to [email protected] with the subject line “KPFA News Reporter Internship.”

For more information email [email protected] or call 510 848 6767 ext 228.


Internships: KPFA’s “UpFront”

**Note: We suspended the on-boarding of new UpFront interns during the pandemic, and are now reviewing applications for internships starting in early 2022. We’re unsure if we’ll have returned to in-person work by then, but would like you to be available to work from our studios in downtown Berkeley if we have**

The Show
UpFront is a fast-paced magazine-format public affairs program covering local, state, national, and international news developments. It broadcasts on the San Francisco Bay Area’s KPFA-FM weekday mornings from 7:AM to 9:AM.

The Work
Interns become a part of our production team: they contribute ideas during editorial meetings; conceptualize, research, and prepare segments; book guests, gather audio, and edit recorded material; post website descriptions and update social media accounts.

What You Get
We train interns on some technical skills (line production, audio editing) on an as-needed basis. Aside from that, you’ll learn how a daily radio program gets put together—by actually doing it. We’re a small staff, so we give interns more responsibility than most organizations. We’re committed to the personal growth of our interns: we’ll give you regular feedback and advice on your work.

KPFA’s training programs are well-respected at news organizations around the Bay Area, as this is where many of their staff started. This internship is also an excellent entrée to further work with KPFA.

What You Don’t Get

What We Require
Good writing skills, communication skills, and computer skills.

What We Like
Some previous experience with journalism or radio production. If you have experience using field-recording equipment, we may send you out on assignment from time to time. If you’re primarily interested in field reporting, however, we encourage you to pursue the 6-month KPFA News Training Program.

We are particularly interested in interns who will expand the breadth of UpFront’s coverage by bringing their own background knowledge and community contacts to editorial discussions. Women, People of Color, LGBTQ and formerly incarcerated persons strongly encouraged to apply

What You Commit To
At least three days per week (24 hours) for at least 10 weeks, or at least two days per week (16 hours) for at least four months. Most of our work happens during business hours. However, you may have to field returned calls and emails from sources after hours.

How To Apply
Submit cover letter and résumé to [email protected] with the word “INTERNSHIP” on the subject line.

Students seeking Summer internships should apply by February 1. All other applications are considered on a rolling basis.


Operations Department Internship Program

The KPFA Operations Department Internship Program is a 6 month program designed to train individuals interested in producing radio and podcasts. Interns will learn and apply the skills of multitrack digital audio editing, engineering studio recordings, media management, website and social media content posting and promotion, line producing, board operating live and pre-recorded programs.

Internship session: TBD

Commitment: 12 hours per week, 2 days a week.

  • Day 1: 10am-4pm Monday, Tuesday, Wednesday or Thursday
  • Day 2: 10am-4pm Friday – Program meeting, radio and podcast production training.

For more information click here

To apply: Contact with cover letter and resume by date TBD.  Please use “KPFA Operations Department Intern Applicant” in the subject heading of your email.


  • 1946 Lewis Hill moves from Washington DC to the San Francisco Bay Area and begins work toward creating the first listener supported non-commercial radio station in the United States.
  • 1949 Pacifica first goes on the air April 15 as KPFA 94.1 fm in Berkeley CA.
  • 1950 Hill and others criticize the Korean War. Hill pledges on air not to cooperate with the war and to resist if drafted.
  • 1951 Pacifica receives the first major foundation grant (Ford Foundation) for the support of a non-commercial broadcast operation.
  • 1953 Philosopher/author Alan Watts begins a regular program on KPFA homepage_left_sidebar that continues until his death in 1973.
  • 1954 An on-the-air discussion of the effects of marijuana results in the California Attorney General impounding the program tape.
  • 1955 Poets Allen Ginsberg and Lawrence Ferlinghetti bring the Beat Generation to the airwaves. A few years later the FCC questions Pacifica’s broadcast of some of their works as “vulgar, obscene and in bad taste.”
  • 1956 Pacifica wins its first broadcast awards for a program on the First Amendment by Alexander Meiklejohn and a children’s series of -Robin Hood- by Chuck Levy and Virginia Maynard.
  • 1957 Pacifica/KPFA wins its first George Foster Peabody Award for “distinguished service and meritorious public service” for programming that takes strong issue with McCarthyism.
  • 1958 Nuclear war and the arms race are debated on the air by Nobel Prize winner Linus Pauling and Edward Teller, the “Father of the H-Bomb.”
  • 1959 Pacifica begins its second station-KPFK-FM in Los Angeles–with Terry Drinkwater as General Manager.
  • 1960-1963 The House Un-American Activities Committee (HUAC) and the Senate Internal Security Subcommittee (SISS) investigate Pacifica programming for “subversion.” Suspected writers include Bertolt Brecht, Norman Cousins, Carey McWilliams, Dorothy Healey, and W.E.B. DuBois.
  • 1960 The Federal Communications Commission (FCC) requests a tape of a Pacifica broadcast of poet Lawrence Ferlinghetti that it found “in bad taste” with “strong implications against religion, government, the president, law-enforcement and racial groups”– and demands full information on Pacifica finances and governance.
  • 1960 Commercial station WBAI in New York is given to Pacifica by philanthropist Louis Schweitzer. Then- Governor Nelson Rockefeller, Mayor Robert Wagner, Jr. and Attorney General Louis Lefkowitz are among the speakers honoring the first day of Pacifica Radio in New York. Early programs include a documentary on George Lincoln Rockwell and a speech by Herbert Aptheker. The SISS requests files of WBAI programs and program guides.
  • 1961 KPFK wins Pacifica’s second George Foster Peabody Award for excellence in broadcasting.
  • 1962 KPFK broadcasts women’s history profiles of Dorothy Healey and Elizabeth Gurley Flynn–programs that are later used in SISS Hearings charging Pacifica is communist infiltrated.
  • 1962 WBAI is the first station to publicly broadcast former FBI agent Jack Levine’s expose of J. Edgar Hoover and the FBI. The program is followed by threats of arrests and bombings, as well as pressure from the FBI, the Justice Department, and major broadcast networks. The FBI produces a dossier of all Pacifica station staff and board members, which it gives to the Senate Internal Security Committee (SISS) to assist in its investigation of Pacifica.
  • 1962 The FCC withholds the license renewals of KPFA, KPFB, and KPFK pending its investigation into “communist affiliations.” Pacifica was never ultimately cited in any of these or subsequent inquiries. Ironically, the FCC chair later denounces the broadcasting industry for not defending Pacifica during its investigation of the foundation.
  • 1962 Pacifica trains volunteers to travel to the South for coverage of the awakening civil rights movement. Andrew Goodman, son of the Pacifica president, is murdered in Mississippi with Michael Schwemer and James Cheney.
  • 1963 I. F. Stone and Bertrand Russell take to the Pacifica airwaves, leading a long list of luminaries to oppose the war in Vietnam at this early stage of direct U.S. involvement.
  • 1964 The Federal Communications Commission (FCC) renews the licenses of all three Pacifica stations after a three-year delay.
  • 1965 WBAI reporter Chris Koch is the first U.S. citizen to cover the war from North Vietnam.
  • 1966 Leaders of organizations such as the Student Non-Violent Coordinating Committee (SNCC), Congress Of Racial Equality (CORE), Students for a Democratic Society (SDS), and the Southern Christian Leadership’Conference (SCLC) discuss the future of civil rights over Pacifica stations.
  • 1967 Pacifica broadcasts a live interview with Latin American leader Che Guevara months before he is killed in Bolivia.
  • 1968 Pacifica Radio News (originally the Washington News Bureau of WBAI/New York) is established in Washington DC.
  • 1970 KPFT in Houston goes on the air and is bombed off twice during its first year by Ku Klux Klan attacks on its transmitter tower. After months of inactivity by federal agents and Houston police, Pacifica mounts a media campaign. Federal agents ultimately arrest a Klansman and charge him with plotting to blow up KPFA and KPFK, as well as the actual KPFT bombing.
  • 1971 WBAI station manager Ed Goodman is jailed for refusing to turn over taped statements by rebelling prisoners at the “Tombs,” the New York City jail.
  • 1972 The Pacifica Radio Archive and Pacifica Program Service are established in Los Angeles to preserve and distribute Pacifica programming to schools, libraries, individuals, and other community radio stations across the country.
  • 1973 Pacifica provides gavel-to-gavel coverage of the Senate Watergate hearings.
  • 1973 Third World programmers at KPFA organize to demand a programming department withpaid staff and control over some airtime. The station management opposes this effort and obtains a court order banning Third World project coordinator Jeff Echeverria from the KPFA premises. The Third World programmers file a challenge to KPFA’s license on grounds of discrimination in hiring practices. The lawyer representing them is David Salniker, later to become KPFA manager and Executive Director of Pacifica.
  • 1974 The Symbionese Liberation Army delivers the Patty hearts tapes to KPFA/Berkeley and KPFK/Los Angeles. KPFK manager Will Lewis is jailed for refusing to turn the tapes over to the FBI.
  • 1974 In the summer, KPFA staff and programmers go on strike to demand more democratic decision-making process, the reinstatement of the fired Third World staff, and the firing of station management. After KPFA is off the air for one month, Pacifica agrees to most of the strikers’ demands. In the fall, KPFA formally creates the Third World programming department with a paid department head and control over some airtime.
  • 1975 Joel Kugelmass becomes Executive Director of the Pacifica Foundation.
  • 1975 Comedian George Carlin’s “dirty words you can’t say on television” routine, broadcast by WBAI/New York in 1973, leads to several years of First Amendment litigation and a hearing by the U.S. Supreme Court. No sanctions are imposed, but the Carlin Case sets the limits of broadcasting for over a decade.
  • 1976 Saul Landau’s Pacfica documentary on the assassination of Chilean diplomat Orlando Letelier is instrumental in piecing together evidence that later convicts the murderers.
  • 1977 WPFW/Washington DC goes on the air, after winning a six-year competitive process for the last available frequency in the nation’s capital.
  • 1977 Jack O’Dell becomes Chair of the Pacifica Foundation.
  • 1978 The Pacifica Radio News begins to distribute news services to 20 non-Pacifica stations across the U.S. and Canada and expands international coverage by establishing correspondents in a number of foreign capitals.
  • 1979 Pacifica, the League of Women Voters, and congressman Henry Waxman (D, CA) challenge the constitutionality of the prohibition on editorializing by non-commercial broadcasters.
  • 1980 Pacifica interviews Sister Ita Ford a few days before she is murdered in El Salvador.
  • 1980 Sharon Maeda becomes Executive Director of Pacifica.
  • 1981 KPFT/Houston becomes the first public radio station to broadcast special programs in 11 different languages, serving the multi- ethnic Texas Gulf Coast communities.
  • 1981 KPFA/Berkeley creates a Women’s Department with a paid director and control over some airtime. Ginny Z. Berson (a member of the collective that created Olivia Records) becomes the first director of the Women’s Dept. (Women’s programming had been done on KPFA since the early 1970s by a collective called Unlearning To Not Speak.)
  • 1982 Pacifica provides the only continuous live national coverage of one million people demonstrating for jobs, peace, and freedom in New York’s Central Park during the U.N. special session on disarmament.
  • 1982 After years of development by women and people of color, the KPFA Apprentice Program is formally established as an intensive training program in broadcast skills. It is now the most comprehensive program of its kind in the country.
  • 1983 WPFW heads up the all-Pacifica team which covers the 20th anniversary of the March on Washington with Julian Bond and Justine Rector as hosts/commentators.
  • 1984 The U.S. Supreme Court rules in Pacifica’s favor that non-commercial broadcasters have a constitutional right to editorialize.
  • 1985 Pacifica broadcasts its first editorial, condemning the apartheid South African government. Pacifica Chair Jack O’Dell calls upon U.S. citizens to bring pressure on the White House to cut all ties with South Africa on the 10th anniversary of the Soweto uprising.
  • 1985 WPFW helps launch the Capital City Jazz Festival in Washington DC.
  • 1985 WBAI/New York organizes the now-annual Listener Action for the Homeless project to mobilize aid for New York’s homeless.
  • 1986 The National Federation of Community Broadcasters (NFCB) radio archives are consolidated with Pacifica’s, making the Pacifica Radio Archive 30,000 tapes strong.
  • 1986 David Salniker becomes Executive Director of Pacifica.
  • 1987 Pacifica’s coverage of the Iran-Contra affair is carried by 33 stations and wins two national journalism awards.
  • 1987 Pacifica provides the only national live radio coverage of the complete confirmation hearings for U.S. Supreme Court nominee Robert Bork, beginning a tradition that has continued to the present day of broadcasting important congressional hearings.
  • 1987 Lady Smith Black Mambazo makes their first live U.S. radio appearance, on KPFK/Los Angeles.
  • 1988 Pacifica stringers provide on-the-spot coverage of the Intifada, the Palestinian uprising, despite great personal danger.
  • 1989 The Pacifica Radio Archive completes restoration of 7,000 one-of- a-kind recordings from the early
  • 1950s and 1960s in conjunction with Pacifica’s 40th anniversary.
  • 1990 Pacifica’s ongoing coverage of the preparations for and conduct of war in the Persian Gulf reaches listeners on dozens of public stations throughout the country.
  • 1990 The KPFA News wins multiple awards for their round-the-clock coverage of the 1989 Loma Prieta earthquake in the San Francisco Bay Area.
  • 1990 Pacifica declines two NEA grants because of content restrictions attached to the funds.
  • 1991 Pacificia leads a coalition with PEN, Allen Ginsberg and broadcasters opposing Senator Jesse Helms’ (R-NC) and the FCC’s 24-hour ban against “indecency” on radio. The Court of Appeals agrees with Pacifica and sets the ban aside as unconstitutional.
  • 1991 KPFA/Berkeley moves into its newly constructed building in September.
  • 1992 KPFA’s Flashpoints program, headed by Dennis Bernstein, becomes the third-most-popular program on the station (after the Morning Show and the Evening News). Flashpoints evolved from the daily Persian Gulf War updates.
  • 1992 KPFA’s Noel Hanranhan begins recording the commentaries of Pennsylvania death row inmate Mumia Abu-Jamal. In 2002 she produces an anthology of his essays titled “Live from Death Row.”
  • 1992 Senate Republicans put a hold on funding for the Corporation for Public Broadcasting, claiming “liberal bias” on a host of issues, including environmental coverage. A bill is passed imposing “objectivity and balance” conditions on CPB funding. Almost alone among broadcasters, Pacifica protests any content-conditional funding, pressing CPB to shield all news programming and editorial integrity of individual producers–which CPB agrees to in its implementation protocols. Pacifica observes that no other broadcasters, commercial or religious, are any longer subject to access and balance requirements of the now-repealed Fairness Doctrine–making public broadcasters alone subject to editorial restrictions. Immediately after passage of the content restrictions, CPB Board member Victor Gold targets KPFK for strident African American programming and controversial speech aired during Black History month, by filing an FCC complaint.
  • 1993 CPB Board member Victor Gold calls for de-funding Pacifica, echoing lobbying campaign orchestrated by right-wing media critics. In a unanimous vote, CPB reaffirms Pacifica’s funding irrespective of program content. Senate Minority Leader Robert Dole (R-KS) threatens public broadcasting with Congressional revenge, his aide explaining: “The First Amendment, freedom of speech, doesn’t apply, because we are able to put conditions on the grants of federal money. The same as we do for farmers.” Pacifica launches a campaign for unconditional funding and self-defense, led by a tremendous outpouring of “fightback donations” from listeners nationwide. CPB funding narrowly escapes cuts in the House of Representatives, with program content the driving issue. A lobbying effort keeps Pacifica funding off the Senate agenda. This is the second year in which Pacifica has received no discretionary funding from CPB (only the matching funding based upon listener contributions).
  • 1993 Pacifica wins its third Court of Appeals ruling in six years, overturning the FCC restrictions on “indecent” programming as unconstitutional restrictions of the First Amendment rights of the radio audience.
  • 1993 WBAI wins the Roger N. Baldwin Award for Oustanding Contributions to Civil Liberties, presented by the American Civil Liberties Union of New Jersey, who state: “In the winter of 1991 … a war hysteria seemed to engulf the United States and its mainstream media…. In this overheated, thought-muddling atmosphere, one of the few cool, on-target voices of rational discussion and dissent was a small FM radio station beaming steadily out of New York City…. From the armies converging on Iraq to the march for women’s lives in Washington, from the killing field of East Timor to the mean streets of Manhattan’s homeless, WBAI covers the local, national and international scene with a depth and integrity not even conceived of by commercial broadcasting.”
  • 1993 Amy Goodman, WBAI News Director and co-anchor of WBAI’s Morning Show, wins the following awards for the program “Massacre: The Story of East Timor”: Robert F. Kennedy Memorial Award for International Reporting; Unda-Gabriel Award for Nationally Distributed News and Information; Radio &Television News Directors Award; and the Unity in Media Award from Lincoln University.
  • 1993 The CPB Silver Award for Children’s and Youth Programming goes to “Youth in Control,” the two-hour live radio magazine of Executive Producer Ellin O’Leary’s Youth Radio Project, produced weekly in KPFB-FM studios. This two-time CPB Award-winning program is a show produced by teens for teens, a project recruiting low income and minority youth, providing training in all aspects of news and music programming, and featuring live weekly. Pacifica broadcasts and special pieces on KQED-FM, NPR, Monitor Radio and Inner City Broadcasting.
  • 1993 San Francisco Foundation Executive Director Robert Fisher selects KPFA/Pacifica for the San Francisco Chronicle feature, “How To Spot a Charity That Deserves Support: Pros Pick Notable Nonprofits” (November 22).
  • 1996 Pacifica launches Amy Goodman and Juan Gonzalez’s Democracy Now! as the only daily election show in public broadcasting. Due to popular demand, Democracy Now! continues beyond the presidential elections, soon becoming Pacifica’s flagship news and public affairs program.
  • 1996 Former California Governor and future mayor of Oakland Jerry Brown hosts “We the People” on KPFA, a daily talk show that features interviews with Noam Chomsky, Paolo Soleri, Ivan Illich, and Gore Vidal.
  • 1999 Larry Bensky starts a new weekly talk show, Sunday Salon, in January.
  • 1999 On July 31, 10,000 Bay Area residents demonstrate in Berkeley, demanding the reopening of KPFA, which had been shut down by Pacifica’s then Chair Mary Frances Berry and Executive Director Lynn Chadwick in a dispute over control of the station. Chadwick and Berry relent and KPFA begins broadcasting again in early August.
  • 2001 KPFA programmers Davey D, Weyland Southon, Anita Johnson, and Tsadae Abeba Neway inaugurate “Hard Knock Radio,” a daily hip hop public affairs and music show. Hard Knock is voted the “Best Radio Show in the San Francisco Bay Area” by the East Bay Express.
  • 2001 Apex Express begins broadcasting on August 2, 2001. The show focuses on the political and cultural concerns of Asian/Pacific-Islanders and features interviews with poets, musicians, and community activists.
  • 2001 On December 12th the Pacifica board and dissident groups sign a settlement that leads to the democratization of the Pacifica radio network. KPFA listener-subscribers win the right to vote for representatives on their local station board.
  • 2002 Bonnie Faulkner and Yarrow Mahko’s Guns and Butter, a one hour weekly public affairs program, begins broadcasting. The show, in its own words, “analyzes the events of September 11, 2001 as a pretext for permanent war, the phony war on terror and the emergence of a militarized police state.”
  • 2003 C. S. Soong and Sasha Lilley’s Against the Grain, a noontime interview show, launches in March. The program features internationally renowned scholars and writers discussing politics, economics, and culture.
  • 2003 Pushing Limits, KPFA’s disability program, begins in June with five documentaries on topics ranging from making Taco Bell more accessible to disability pioneers within the Black Church.
  • 2004 On June 16th, KPFA and Pacifica sister station WBAI in New York City air a national broadcast of James Joyce’s novel Ulysses. 100 actors read the book around the clock in celebration of Bloomsday.